Elizabeth is a poet, musician, and teacher with a passion for hybrid form and mixed media. She received her MFA in poetry from the University of Arizona in 2011, where she studied under poets Laynie Browne and Steve Orlen.
She has had work accepted at places like The Adroit Journal, Drunken Boat, and Mid-American Review. Elizabeth also has a passion for teaching. She has taught writing residencies and developed curricula for the University of Arizona Poetry Center.
She is currently enrolled in a Waldorf Teaching program, and has enjoyed volunteering at schools across Tucson as a guest poet. In prior job incarnations she oversaw system operations and operations staff for PowerSchool Learning, a K-12 learning platform.
Bryan is an award-winning director (MFA Directing, Western Illinois, 2001) and tech entrepreneur with a passion for both education and building and scaling successful organizations.
Bryan served as Artistic Director for two Indiana-based theatre companies, New World Arts, and the Backporch Theatre Company. He served as a director and set designer for numerous shows, including The Carthaginians, Lysistrata, Cloud Tectonics, Night Mother, Bug, Marisol, Love Letters, Comedy of Errors, Twelfth Night, The Taming of the Shrew, and Romeo and Juliet.
In Tucson, Bryan has directed at The Rogue Theatre, including The New Electric Ballroom and Awake and Sing. He was recognized as Best Director (2012 Arizona Daily Star Mac Award) for the show The Night Heron.
Bryan serves as board Vice-Chair of the Tucson-based Southwest Folklife Alliance, and as a board member at The Rogue Theatre.
Holly Griffith is a member of the Resident Acting Ensemble at The Rogue Theatre and an English Composition teacher.
She has appeared in numerous productions at The Rogue, including MacBeth, The White Snake, Uncle Vanya, Angels in America, and Hamlet.
Holly also co-produces the Ambruster Play-Reading series at The Rogue, and dabbles in playwriting and adaptation.
A native Ohioan, Holly has trained in ballet, tap, and jazz dance, and maintains an interest in movement-based performance.
Holly holds an MA in English Literature from The University of Arizona.
Christopher Johnson is an actor, director and playwright.
Directing credits include Penelope and The Picture of Dorian Gray (which he adapted) for The Rogue Theatre; boom, Cabaret, The Year Of Magical Thinking, The Altruists and Speech & Debate for Winding Road Theater Ensemble; Hedwig and The Angry Inch for The Bastard Theatre; Wit, Persephone Or Slow Time, The Book Of Liz, My Name Is Rachel Corrie, Say You Love Satan, Robots Vs. Fake Robots, Killer Joe, The Rocky Horror Show, Danny And The Deep Blue Sea, The Importance Of Being Earnest, The Penis Monologues, Savage In Limbo, Bug, Titus Andronicus and A Midsummer Night's Dream for Etcetera at Live Theatre Workshop where he served as Artistic Director from 2007-2012.
He currently serves as General Manager of The Rogue Theatre, where he was last seen on stage as Prior Walter in Angels in America: Millennium Approaches (2016 Arizona Daily Star Mac Award: Best Actor, Drama).
His recent adaptations of Oscar Wilde’s A House of Pomegranates and Charlotte Perkins Gilman’s The Yellow Wallpaper will see their first full productions in 2017.